And what if it was a mistake from the start? The Declaration of Independence, the American Revolution, the creation of the United States of America—what if all this was a terrible idea, and what if the injustices and madness of American life since then have occurred not in spite of the virtues of the Founding Fathers but because of them? The Revolution, this argument might run, was a needless and brutal bit of slaveholders’ panic mixed with Enlightenment argle-bargle, producing a country that was always marked for violence and disruption and demagogy. Look north to Canada, or south to Australia, and you will see different possibilities of peaceful evolution away from Britain, toward sane and whole, more equitable and less sanguinary countries. No revolution, and slavery might have ended, as it did elsewhere in the British Empire, more peacefully and sooner. No “peculiar institution,” no hideous Civil War and appalling aftermath. Instead, an orderly development of the interior—less violent, and less inclined to celebrate the desperado over the peaceful peasant. We could have ended with a social-democratic commonwealth that stretched from north to south, a near-continent-wide Canada.
The thought is taboo, the Revolution being still sacred in its self-directed propaganda. One can grasp the scale and strangeness of this sanctity only by leaving America for a country with a different attitude toward its past and its founding. As it happened, my own childhood was neatly divided between what I learned to call “the States” and Canada. In my Philadelphia grade school, we paraded with flags, singing “The Marines’ Hymn” and “Here Comes the Flag!” (“Fathers shall bless it / Children caress it / All shall maintain it / No one shall stain it.”) We were taught that the brave Americans hid behind trees to fight the redcoats—though why this made them brave was left unexplained. In Canada, ninth grade disclosed a history of uneasy compromise duality, and the constant search for temporary nonviolent solutions to intractable divides. The world wars, in which Canadians had played a large part, passed by mostly in solemn sadness. (That the Canadians had marched beyond their beach on D Day with aplomb while the Americans struggled on Omaha was never boasted about.) Patriotic pageantry arose only from actual accomplishments: when Team Canada won its eight-game series against the Russians, in 1972, the entire nation sang “O Canada”—but they sang it as a hockey anthem as much as a nationalist hymn.
Over the years, we have seen how hard it is to detach Americans from even the obviously fallacious parts of that elementary-school saga—the absurd rendering of Reconstruction, with its Northern carpetbaggers and local scalawags descending on a defenseless South, was still taught in the sixties. It was only in recent decades that schools cautiously began to relay the truth of the eighteen-seventies—of gradual and shameful Northern acquiescence in the terrorist imposition of apartheid on a post-slavery population.
The Revolution remains the last bulwark of national myth. Academics write on the growth of the Founding Father biographical genre in our time; the rule for any new writer should be that if you want a Pulitzer and a best-seller you must find a Founding Father and fetishize him. While no longer reverential, these accounts are always heroic in the core sense of showing us men, and now, occasionally, women, who transcend their flaws with spirit (though these flaws may include little things like holding other human beings as property, dividing their families, and selling off their children). The phenomenon of “Hamilton,” the hip-hop musical that is, contrary to one’s expectations, wholly faithful to a heroic view of American independence, reinforces the sanctity of the American Revolution in American life.
Read more at The New Yorker.